AmarSharma-Sensible Nonsense

Of late I have been receiving mails and online petitions demanding inclusion of Loveleen Tandan's name along with Danny Boyle's for Best Director's award in the Oscars 2009. Subsequently I searched the web for more info and came across an interview of Loveleen asking people not to raise this controversy as Danny is the actual director of the film. She is also reported to have mentioned something to the effect that she considers herself lucky to have got the credit as Co-Director (India). The reason for her appeal (to put this issue to rest & not rake it up further) could be any & many but from all that one has read on the net (her own interviews, Boyle's interviews etc.), it seems that her primary contribution has been in : 1.Casting of slum kids + few other Indian Actors 2.Suggesting that 1/3rd of the dialogues be retained in Hindi 3.Writing/re-writing/translating some of the dialogues in Hindi. 4.Suggesting to Danny not to let communal mobs wear outfits disp

It has been over a week since Slumdog Millionaire was released in India amidst lot of hype & hoopla...some genuine and some manufactured. With a string of awards and nominations in its kitty, none of the so -called Indian film critics have had the courage to see beneath the surface of the story as well as the film. They've played safe by giving it the highest ratings...fearing that a critical rating of such a highly decorated film may raise questions on their own competence perhaps. From all that I've read about the film and Vikas Swarup's novel (on which it is based) and watched on TV (infinite no. of interviews of Danny Boyle, Loveleen Tandan, Anil Kapoor & the lot), the film is essentially about a poor slum boy hitting the jackpot in a TV game show just by chance and making it good. So it is his sheer fortune / luck that plays a role in extricating him from the dehumanized existence in the slums. What's so great and different about the story? For centur